teaching

Dance class is where I come to notice, explore, and stay curious. It’s not about doing it right—it’s about paying attention to what’s happening right now. What sensations are present? What keeps pulling your focus? What surprises you?

I treat each class as an experiment. A place to move, ask questions, and follow what shows up. Sometimes things feel awkward, quiet, or funny. I see all of it as useful.

Teaching brings me back to this space again and again. I show up as both a guide and an explorer. I ask us to slow down, to stay with what we notice, and to let things unfold without rushing to fix or solve.

I aim to build a space where people feel welcome to move, to question, and to be in their bodies—with everything they carry.

In my teaching, I aim to foster an environment of collective awareness. I believe that building trust in ourselves comes through holding space for what is yet unknown, and that compassion—for ourselves and for one another—is necessary in the process of discovery. This surfaces cogently in my teaching, where I cultivate a reflective environment in which I encourage students to be self-aware, investigative and rigorous.

Here are some hats I love to wear:

  • Mentorship for Emerging Dance Artists

    I mentor early-career dance artists navigating life after high school or college—offering guidance, accountability, and tools for building a life in performance, teaching, and making, especially in cities like NYC and Chicago.

  • Movement Coach

    I partner with solo artists to shape movement, clarify ideas, and document the creative process—offering support at any stage of making.

  • Teaching Practice Partner
    I help artists develop classes that reflect their values—offering feedback, clarity, and support to bring teaching ideas into form.

These roles keep me coming back, exploring, failing, and creating alongside others in the unknown.

offerings